More than the quintessential cow girl

COW

The other night I watched The Words (Bradley Cooper, Jeremy Irons, Dennis Quaid, Olivia Wilde, and Zoe Saldana). I didn’t plan on watching it, but any movie about a writer struggling to “make it” begs me to watch it.

The movie bases its foundation on one question: “Just how far would you go to be the person you want to be?”

In other words, would you steal someone else’s story just to be who you wanted to become?

The film portrays an old man who says, “We all make choices; the hard thing is to live with them, and there ain’t nobody that can help you with that.”

Wow.

I write. All the time. Something. Anything. Celebrity profiles. Fiction. Notes on papers I’m grading. Blogs. Texts. A few emails. Poor attempts at song lyrics.

So far everything I have written has been true. I have never stolen nothing, no not a thing—well, with the exception of the deliberate theft of that last sentence. If you know song lyrics, you’ll understand. If not, proceed. It’s no big thing.

I have a new group of creative writing students this semester, and once again, my goal for them and for me is for us to take our writing to the next level, to step out of our comfort zones.

My new class of creative writers has been very good for me. So far my students cut me no slack. If they have to write, they expect me to write. My homework for them? Create a blog with its own unique writing. Their homework for me? Write a blog about them.

But what can I say? I don’t know them well—yet. So far I have met the super intelligent Batman, a Halo freak who shares his cheerios, three musicians, an artist, a baton twirler, Lady Wit, a runaway who gets to stay, and a very shy girl who kind of reminds me of myself.

But when I get to know them, can I say more? If I tell their stories without their permission, will I invade their privacy? Will I steal their stories for my gain? But what happens if their story IS my story? I believe people’s paths cross for a reason.

Never should I define people by the characters they play in my life story, for tomorrow they will grow into somebody else. You change; I change. Not everything about us, just some things.

I, for example, will always love God, my family, and the Red Sox. I can’t imagine ever giving up writing or music. And I won’t give up the people I love. I do, however, abandon certain fads. I left the leg warmers in the eighties, and I don’t perm my hair.

I’m what they call a “seasoned teacher.” You can’t fool me. That’s just another way of saying old. No matter how you say it, I have been a supporting cast member in the stories of many students’ lives. I don’t mind. I just don’t want them to sell that chapter as my entire story.

When I first started teaching, I decorated my classroom in a black and white spotted motif. The next thing I knew I became the crazy teacher who liked black and white bovines. I like cows, but they don’t necessarily moooove me. I have, in fact, ridden a cow backwards across a barnyard. That, my friends, is another story, one better left in the barnyard.

During my “cow phase,” I acquired a lot (literally) of Holstein items, including a stool with udders, which I thought was utterly hilarious. Heck, even the baseball coach brought me a cow ink pen from a coaching clinic. The cow lady. That’s who I had become.

During another phase, I was the crazy lady who loved Julius Caesar. I still do. I received anonymous letters from students warning me to “Beware the Ides of March.” While some teachers had to be on the look out for yard rollers on Halloween, I had to keep up my guard the night of March 15. But that’s okay. My rollers and I are now great friends. But they should remember the evil that men (and women) do lives after them. Paybacks are killer.

At another point of my career, I voraciously taught my students the importance of vocabulary, and we started with the word QUINTESSENTIAL. Every student I had during this phase used the word either to impress or distress me. And even now, my co-workers smile when they use the word around me. I think it’s funny, especially when QUINTESSENTIAL shows up on my Facebook timeline.

There was a time when Michael W. Smith was my favorite singer, and, yes, in fact, I did name my younger child after him. I didn’t just like Michael W. Smith; I wanted to be like Michael W. Smith. I wanted to own a place like his Nashville-based Rocketown so that I could positively impact kids’ lives with music. I still do.

And now I’m the crazy Steven Tyler stalker. I don’t know why. I just am. I guess Steven became a symbol for me, a reminder that regardless of one’s age, a person can never be too old to act a little crazy,  to love music and to love people, the latter, I think, Steven Tyler maybe too much. But again, there’s another story, and we haven’t the time.

If I become a character in my students’ memoirs, I have no idea which persona I will portray. I hope the writers paint the truth and avoid portraying me as a one-dimensional character.

All people leave their colors on other people’s canvases, some more vividly than others. And believe me, whether or not it’s in print, we read each others’ stories daily. We should be careful to avoid over generalizing and assuming.

I have stories about my life I can’t tell, won’t tell, because my life isn’t its own. I am a vault. I could never make it as a member of the paparazzi.

I also don’t want to be painted as the crazy cow-loving cat lady who stalked Steven Tyler in the most quintessential way. I’m a whole lot more than that.

If we have met, YOU have become a character in MY story. You are paint on my canvas.  And if I do tell my story, I’ll do my best to paint you with an honest brush and to write you with an trustworthy pen.